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Also among these papers were assignments completed for a Bachelor of Letters (Literary Studies) in 1999 and 2000. Perhaps not surprisingly, given that Nemesis Train was a major focus of the writing I was doing at the time, a couple of the assignments that offered creative writing options were adapted versions of chapters of the embryonic novel.
These were generally well-received and sparked the first “reviews” of the Nemesis Train material, including the following:
“You offer a subtle, disturbing and startlingly accurate story. . . . well written. . . . You have quite a cinematic eye.”
“A sophisticated and well sustained vignette. Excellent attention to detail and a complex narrative voice. . . . A fascinating story.”
“The story works very well. . . . Extremely well written with a sharp intonation that suits the subject matter and you demonstrate a sense of narrative pacing, and sensitivity to nuances and inflections. Very well done.”
So not only do I now have a tidier shed, I also re-visited some of the pre-history of Nemesis Train and some of its first appreciation and encouragement.